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Showing posts with label Positive K. Show all posts
Showing posts with label Positive K. Show all posts

9/03/2009

First Priority Music & Positive K


If you are one of our few long time loyal readers, you undoubtedly know that I'm a BIG fan of the old First Priority Music family label. You know the ones I'm talking about, the label with Audio Two, MC Lyte, Alliance, Barhsa and a couple other acts. I was always about the stripped down drums that producers King of Chill, Milk and the others supplied to the tracks. To me, this label was the essence of traditional late 80's hip hop. It was you put on at any club, house party or show to get the crowd grooving. I've featured their music on here numerous times and I'm going to do it again today, albeit in a brief sort of manner.

If anyone needs a refresher course of FPM's catalog, allow me to help you out a bit with this compilation I made at least a couple years ago:

WYDU Presents The First Priority Music Family's Greatest Hits
http://www.divshare.com/download/475128-f2a

1. Audio Two - Top Billin
2. Positive K & MC Lyte - I'm Not Havin' It
3. Alliance - Bustin' Loose
4. Audio Two - On The Road
5. Kings Of Swing - Strategy
6. Audio Two - I Don't Care
7. Michie Mee & DJ LA Luv - Jamican Funk Candian Style
8. Barsha - Knockin' Hineys
9. MC Lyte - Cha Cha Cha
10. Kings Of Swing - Two Minutes Of Funk
11. Alliance - We Could Get Used To This
12. Positive K & Barsha - Tramp
13. Barsha - B.A.R.
14. Alliance - Get On Down
15. Kings Of Swing - Nod Your Head To This
16. Audio Two - Milk Does The Body Good
17. MC Lyte - Lyte As A Rock
18. Audio Two - The Questions
19. Alliance - Kibble and Bits
20. Audio Two, MC Lyte, & Positive K - Start It Up
21. Positive K & Barsha - Impulse On Three

All good songs that are found on that compilation, but there was one song that I left off of it, simply because I couldn't find it, which was Positive K's "A Good Combination." Lucky for me, with my new found affliction, I came across a promo copy of Pos' "A Good Combination" in Denver when I was there earlier this summer. The b-side will probably be familiar for those old school heads out there, with MC Lyte as the video was played often on Yo! MTV Raps back in the day. "I'm Not Havin' It" was a good back and forth song between the two and if I remember right, even served as a safe sex commentary ad on MTV as well.

I just got back from a De La Soul concert tonight, so I'm in no mood to write more on this single. If you haven't heard the track, download it, it's well worth it.



Positive K - A Good Combination (First Priority Music)
, 1988

A1
A Good Combination (Bonus Track) (3:53)
A2
A Good Combination (Acapella) (4:01)
B1
A Good Combination (Bonus Track) (3:53)
B2
I'm Not Havin' It (3:23)

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10/28/2008

Positive K - The Gentleman, The Rapper; Courtesy of Ain't It Good To You

A NIIIIIIICE collection of early Positive K tracks. Not officially a "lost" album, but dope none the less. I've always been a big Pos K fan, as I am with nearly all the early First Priority Family Releases, so this is a must for fans of that label.

BIG thanks to DJ DEE-VILLE from Ain't It Good To You
Read about the whole thing at his blog http://aintitgoodtoyou.blogspot.com/2008/10/positive-k-lost-first-priority-album.html

Positive-K - The lost 1988 First Priority Album
http://www.sendspace.com/file/2o0f82

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9/07/2007

WYDU Classics Sept 07

There is nothing worse than staying home on a Friday night, unless you use that time to write a freaking blog post, which is what I'm doing tonight. I'm in my thirties, but I still don't like hanging around this cracker box apartment on a Friday night. Friday nights are made for tossing back some cold ones, staring at big tittied chicks in bars and having some fun with your boys. Unless it was rent week, and then you are pretty much broke, then you stay home, drink a cheap ass forty ounce of malt liqour and write up a post on your blog so you can pretend you are more important than you actually are. Thank god the Slushy Gutter SummerMission is over and I can go back to potent cheap ass malt liquors when I'm broke and I don't have to worry about "numbers". If anyone was following our progress, the nine of us made the magic number of 5,280 beers drank from Memorial Day to Labor Day. It was an interesting experiment, but I'm not sure I'd do it again. Then again, if CH asked me to join next summer, I'd probably do it, because I'm stupid. Thanks does go out to CH Commish for having me participate, it made for an interesting summer.
Before I jump into my main offering for all my loyal followers, I have to point out a guest mix I did for This Is Tomorrow's year anniversary. It's a great blog that is worthy of my links. And yes, it's an actual "mix", albeit I used a computer program to mix the tracks together and even then I still chopped them up into separate tracks, because for some reason, full mp3 mixes drive me fuckin' batty. You know what to expect from me as far as compilations, so check it out, support "This Is Tomorrow", support your boy Trav and drop a comment so I can continue to keep my giant inflated ego intact...(It's a joke son', a joke).
On to the main topic of this post. It's a new month and if you have been with me for very long, you know what to expect at the beginning of the month, that's right boys and girls, it's time for some world famous....okay, internet famous WYDU Classics. This month is a tad bit different. I felt like I was listening to some music I'm not usually accustomed to. You'll read more about it when Eric from WTR, but I felt I needed to make myself feel better by playing some good old fashioned underground hip hop. I'm not talking about your general shit either, this shit is some of the more "obscure" tracks that I like. Before you hip hop nerds that live on ebay throw up arms and say this shit isn't rare, I'll just say it's "obscure", meaning that the average blog visitor probably hasn't heard a lot of these, so play like LL and chiiiiiiiiiiiiiiillllll. I have a bunch of track sitting on my computer and even more sitting on unmarked CD's scattered through out my apartment. I don't save something unless I like it. Through out my travels around the internet and my friends in real life (IRL for you internet nerds). Sometimes I scatter them through select WYDU Classic volumes, but never have I made it ALL about the obscure tracks. Well this month, I did, I put together some of my favorites that not many people have heard of. I'm not going to claim like I know everything there is to know about these tracks, but I do know one thing, they are pretty fuckin' "dope" (is that still cool to use?). Let's jump into it.... WYDU Classics, Sept 07
1. Redman - I Get Down Like That feat Roz I found this on a blog not too long ago, but I cant remember which one. I wish I could give proper credit, but props to whose ever it was. I'm a sucka for anything REMOTELY related to Red in the "Dare.." era, which supposedly this track is from. I swear I've heard this track before, but I can't remember where or when. Shits dope though, definite "Dare.." era material. Dude was one of the best to ever do it back then. It also has a verse from sis Roz 2. K Solo - Letterman (Solid Scheme Remix) As big of a Hit Squad fan as I was, I was never big on K Solo, but I remember buying this maxi single track and loved this shit. It was produced by Das' boys back in the day. I guess the west coast "more bounce" shit worked better for me. It livened up the track for me none the less. 3. House of Pain feat Diamond D - Word Is Bond (Remix) I'm a HOP junkie, I guess it was the white boy status or something, and while I like the original quite a bit, this remix shit is on the real....it's down right serious (this is what two 40's do to me, work with me here). Diamond is still one of my favorite producers on the mic and this shows why. 4. Lord Sear - Alcoholic Vibe Perfect track for right now. Lord Sear was part of the legendary Stretch and Bobbito show and I want to say he was part of the Constipated Monkey's crew...but that could be the forty talking. This track is strictly for the drinkers. The beat is pretty dope, produced by Stak Chedda himself (his aka). Sear was a crazy fucker, kind of like a radio show hype man, but he was just as interesting as the rest of the crew in my humble opinion. 5. King Tee - Cali Expert I should celebrate the man that is King Tee more often than I do. If someone asked me my favorite west coast artist, I'd more than likely answer King Tee. This joint is kind of a weird little tidbit. It showed up in '99 which would have been around the time he joined up with Aftermath and he even says "Aftermath" in the lyrics. The beat is pretty nice, consisting of a nice piano loop/sample. I don't know who produced it. It was on a single with OC and AZ, called Organized Rhymes Vol 2, which I don't know much about. I thought there was a large collection of stuff under that name for volume one, but I'm unfamiliar with volume 2. 6. Whooliganz - Put Your Handz Up (QD III Remix) What do you say about these cats first? The fact they were the "unknown" Soul Assassins crew? Or the fact that Alchemist was apart of this "kiddie" crew? Or maybe that James Caan's son was part of the group? I'm not sure what to start off with, so fuck it, I won't start with any of them. This QD III remix was pretty dope, if you were a Soul Assassins fan, then check this out. 7. DJ Pooh feat Threat - Gangsta Vocabulary I've always said my favorite west coast producers included DJ Pooh. The man is a legend in the west coast, but no one ever acknowledges his accomplishments. This track includes one of my favorite west syde MC's, Deadly Threat. If you've read this blog in the past, you know the shining reviews I've given to Threat. Pooh produces the track, which could be better, but still..... 8. Kamikazee feat Nas & Cormega Trying to find info on this is a bitch. BUT...From what I remember, this song was an originally a Kamikazee track and not a Nas track, that most sources credit it to. Kamikazee was a Queens MC that was around in the very early days. I don't know much else about him other than he was the subject of LL Cool J's ire on "I'm Bad" track. This shit is flyyyyyyyyyyy, you might know the Nas version already, and the track is some nasty as vinyl version, meaning lots of cracks, but it's hip-hop history, say you heard it here first..beyatches..... 9. Terror Tongue - Lyrical Threat I orginally got this one off of the steadybootleggin blog that is a parent of WYDU, at least I claim them as a major influence. Anyway, finding info on this track is pretty hard. I know next to nothing about the MC and I know the track was produced by Buckwild, and what a dope track he produced. Good shit. 10. Shabazz The Disciple - Crime Saga (Remix) A second rate Wu affliate, a no name remix, it all adds up to a *yawn* another boring remix. But wait....no, this joint is pretty nice, despite all the no names associated to it. 11. Slum Brothers - 6 Million MC's I know nothing about this group, but wikipedia comes thru once again:

The Slum Brothers is an influential hip hop group that consists of Reggie Regg (rapper) and Cool Joe from Bronx, New York.

The group was founded in 1991 by Reggie Regg and Cool Joe, his best friend, after the original name "Gentlemen Required" which did not make the final cut as the group's name. Although the duo started much earlier than this, this was the actual time the group had an official name and label. With small demo tapes and a couple of unreleased records, The Slum Brothers independently made the label "suicide records" with the hit singles "Sure Shot" and "1 million MC's" in 1994. Suprisingly enough, the independant label was growing successful off of this, with a spark of interest blazing overseas. With its release, there was no doubt that Reggie Regg had to come with more of his comedic punchlines and lyrical skill with the influential and clever rhymes from Cool Joe.

In 1995, the duo released another song titled "stop frontin" aimed at the east-west coast scene and to the other rappers who posed as something they weren't. The 12 vinyl is extremeley rare among collectors and was one of the original songs that pioneered the east-west coast battles. Later that same year, "regular niggas" was also released and, like all of the other singles was explosive overseas and was influential in the underground hip hop scene. The duo released these singles on Scientific Records.

The last song to be made by the slum brothers was "fool's paradise" on Michu Records before upsettingly leaving hip hop's scene of lyrical skill and influential raps.

This track is "censored", but you don't notice it much. It's a great track. 12. Sha'Dasious - Ima Put My Thing Down (Put It Down Remix) How can a $1.00 album spawn a $100 single? Well it did, thank the e-bay nerds. None the less, some cool shit going on here. Is this remix, that is only on the ultra expensive single worth it? No, probably not. But the ebay nerds say its expensive, so it must be good, right? Enjoy. 13. Q Ball & Curt Cazal - Makin Moves This joint was pretty popular in 96 or 97, whenever it was release, I'm not checking. This is a remix of that song, dope indeed 14. Mytee G Poetic - Listen To The Lyrics More shit that I can't find anything about. I think I got this off the old school Vinyl Addicts, which is dead now......Just listen to it...Its fuckin' dope 15. Ill Advised - Against The Grain Almost the same sample as the Mytee joint, but fuck it...This group consisted of Baby Blak and some other dudes that I can't remember. Great shit from Philly. There is supposed to be a lost album floating around from them, but good luck....and sorry about the censored track...shit is what it is 16. Sparrow - Rhyme Impotence I don't know much about this dude either, other than the single this came from was fucking dope!!! I think they were from B-More, and it was a group. Came out in 95' and I'm pulling this shit outta my ass, but this is the best I can remember. They got a myspace page. If I haven't sold you on this collection yet, then this should do it....DOWNLOAD THIS NOW!!! 17. Funke Natives - Urban Contemporary Jeep Music
Another joint you won't find much about. East coast, jeep music, funky beat...what else do you need to know? 18. Steady B feat Roxanne Shante - Just Call Us Def I always like Steady B's music. This is EARLY Stead B stuff, because Cold Chillin' was still fuckin' with Pop Art. They had problems, Cool C made Juice Crew Dis and you should all know the rest 19. The Bennentton Gang - Don't Touch The Mic Some late 80's shit that didn't sneak into the flood of great music at the time, although based on this single, maybe they should have. The represented LL's "Farmer's BLVD" and popped up on a couple comp's that I can't remember the name of right now...freestyle posting, ain't it a bitch, especially when I'm drunk. 20. Prince Quick Mix and Derrick Dee - Good Foot Another track that is hard to find info on. Derrick Dee appears to be a stuntman or some shit. Prince Quick Mix had a list of stuff he was involved with on Discogs. All I know the song is pretty tight Re-ups First AlbumKwest The Madd Ladd - This Is My First Album
1. Everyone Always Said I Should Start My Album off With a Bang
2. 101 Things to Do While I'm With Your Girl
3. Disnexone
4. I Met My Baby at V.I.M.
5. Blase Blah (Off Tha Head)
6. Lubrication
7. What's the Reaction
8. Daddiez Home
9. Kwest's Theme Song
10. Skin Care
11. Day in the Life of My Asspipe
12. Butta-Few-Co
13. Disk and Dat
14. 125 Pennies for Your Thoughts
15. Herman's Head
16. Bludawnmeyesneekhuz (Through Tha Eyez of a Hood)
17. Damn
18. Say My Name Again
Positive K - Skills Dat Pay The Bills
1. Intro (Pos K Theme)
2. Pass the Mic
3. One 2 the Head
4. Shakin'
5. How the F*?#! Would You Know
6. Carhoppers
7. Nightshift
8. Intro (Back the F*?#! Up)
9. I Got a Man
10. Ain't No Crime
11. Shout Out
12. Friends
13. Minnie the Moocher
14. Nightshift [Remix]
15. Flower Grows in Brooklyn
16. It's All Over

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5/29/2007

Tuesday Lite


I hope everyone had a great and safe holiday weekend that consisted of no DUI’s or any run-ins with Po-Po, no accidents, but plenty of memories and hot bitches (or women for those easily offended). Memorial Day is made for BBQ’s and lot’s of drinking for those of you overseas. Some of my most fond memories occur on Memorial Day’s of the past. This one won’t be in any scrapbooks for me, if I did that type of shit, but it was pretty “ho-hum”. Saturday consisted of a 14-hour day doing catering. The morning blew ass, sitting up tables for a 250 people person party all by myself and taking it down pretty much all by myself. The afternoon was a bit better since we did a private party with a filthy rich doctor who liked his booze. The good doctor ended up doing shots with us and it was even rumored he was taking a few tokes of the Mary Jane, although I didn’t witness that. By the time I got home and took a shower it was late enough that I blew off the BBQ I was supposed to be at. It was already late and I was beat and didn’t want to deal with the massive operation of playing catch up with the rest of the drunken assholes. So I just sat down with a 12-pack of cold CL’s and watched “Beerfest” until I could no longer keep my eyes open.

Sunday was spent recovering from basically moving 50 tables and 500 chairs from the day before. My old ass isn’t in the shape it once was. It wasn’t a bad day to go storm chasing here, but I didn’t want to do anything but sit on my ass, which is what I did. There was a few video games, sleeping on the couch watching the resurgent Rockies beat the Giants in extra innings and I caught up on some music I’ve been meaning to sit down and listen to. It was basically a lazy fucking day, which was fine by me. Today, I’m writing this on Monday, was more of the same although I swore to do something productive. I justified it in my mind by telling myself I worked 64 hours in the last seven days. Add that to the fact I told a female (it’s always tougher moving females because you know they aren’t going to help much, no offense) friend I’d help her move tomorrow after work and dammit, I deserve some R&R.

I’ve decided to “loosely” track my beer intake this summer to see how close I get to my fellow Denver blogger Commish’s “Slushy Gutter Summer” adventure of last year. He has yet to decide to pursue the mark this year and judging by his wife’s message on his blog, it looks like he might be in for a divorce if he does it this year. What this basically consists of is drinking 528 (the height of Denver, knock off the zero at the end) beers from Memorial Day to Labor Day, which roughly equals out to almost six beers a day or 42 beers a week. I’m just going to keep track and if I seem to be on pace, I might try to take a shot at the mark. The thing that worries me is that I work at 6 a.m. weekdays, so that kind of kills any monster drinking during the week, but I’ve been known to take down 30-40 beers in a good weekend, so it’s possible. Depending on when he starts “Memorial Day”, as in weekend or the actual day itself, and if “weekend” includes Friday night, I’m anywhere from 16 beers (anything containing a serving is a beer for all intended purposes) to one, depending on the actual start date. All I got to say is, if I’m going to attempt this, no more of those fucking 40oz’s. I do have a BBQ next Friday night with a 6:30 start time which gives me a good chance to hit around the 20 beers mark as long was I stay away from the hard stuff. Also, since I’m helping that friend move tomorrow, I never move sober and I don’t have to work until noon on Wednesday, so there is a chance to make-up some ground. A couple good weekend getaways/camping trips/parties over the summer and I might have a shot. I’m sure Commish himself will be along to clarify the rules for me. Who knows, we might have to get together for a WYDU vs. SGS drink off sometime over the summer ala Beerfest or some shit. Aww fuck yeah, it’s summer time.

MUSIC

Well since this is a music blog, I best be for tossing up some music for the peoples consumption. Again, no real rhyme or reason behind these particular tracks except it’s shit I like. Some I might actually be in or over my heading explaining a couple of them, but what the hell, I never said I knew everything. First off....

Some Shameless Promotion

If you've been around this blog since the beginning, and I doubt many of you have, one of our firsts posts was a review for an MC who I have a lot of respect for, my man Lex. I agree that it's easier to like someones music when you actually have some sort of connection with them, whether it be friends in the "real world" or just through message boards and that way, but while Lex is a cool dude who have had the pleasure to deal with in the past, his music speaks for itself. I hate using labels such as this, but it's "Grown Folks" music, dealing with real life issues that us 30 somethings with kids and bills deal with. I highly suggest giving this a listen. I have yet to listen to it (I just got the link for it 5 minutes ago), but if this is half the album the "Vague Clarity" is, it's well worth the listen.

Here is Lex in his own words:

Peace y'all. I've just released my second CD entitled "forward movement." This is to serve as a Street Album/Mixtape style album. My main objective with this project is to show my talent and versatility on the mic as well as generate a buzz for my upcoming projects. There are 21 songs on this project and it is being released for free d/l as well as tangible purchase. If you would like to purchase a CD, you can visit my myspace page here. Domestic sales are $5 (shipping & handling included) & foreign sales are $8 (s & h included). Paypal is my preferred method of payment.

I encourage anyone with a blog or website that enjoys the CD to post a link to the album on their page. I also encourage you to post this link, or your own on any messageboards and online communities that you may frequent. Again, my mission is to spread the word on my music and the best way to make that happen is thru word of mouth. If you support the music, please help me push it forward. Anyone who wishes to review the CD please feel free to do so and post it on your page. I ask that if you do decide to write a review that you send it over to me once it's posted. All feedback is welcome.

http://myspace.com/lexsinistahcircle
Lexicon718@gmail.com

Lex - Forward Movement http://www.diabloarcher.com/LEX_-_forward_movement.zip

1. LEX (Say The Name) prod. by Jah Freedom
2. Strut prod. by Duke Entertainment
3. Let Em Know prod. by LR Hook
4. The Fight prod. by C-Royal
5. We Here Now ft. Rich prod. by Origimoz
6. Bobby prod. by Bluntmosphere
7. Everybody prod. by Eska Hines
8. Our Day Will Come prod. by DJ Wallsauce
9. The Spotlight prod. & cuts by C-Royal
10. I Found You prod. by DJ SoulClap
11. Manage Your Fate ft. Laif & Crash prod. by Absoul85
12. Schemin prod. by Maurice Marotte
13. The Raw Deal prod. by Rashid Hadee
14. Sins (Remix) ft. Laif prod. by N1Illa
15. Enterprising (Acapella)
16. HARDCORE prod. by Mercury Waters
17. Step Up Your Game prod. by RaRa Aguilar
18. Nice Guys ft. Amen Almighty prod. by E-Noids
19. Politickin prod. by ND
20. For The Kids prod. by E-Noids
21. It’s Nothing (Remix) prod. by Suede Jury

Give it a listen, leave feedback, post it on your blogs if you like it....

Sweet N’ Lo feat Tha Alkaholiks – Excuse Me As I Rip It

Since we are discussing beer and binge drinking, we might as well post up a track from the ultimate hip-hop drinkers, Tha Alkaholiks. This was from the Sweet N’ Lo album from . I don’t know much about them, after all I was never big on female MC’s or groups for the most part, but in my quest to track down most of Tha Liks material, I ran across this and had to have it. I believe they say in the track that it’s produced by E Swift, which I can totally see, it sounds like some E Swift beats. Swift used to be one of the most slept on producers around. As of late, he seems more focused on trying to fit in with the mainstream instead of sticking to his own signature dope sound, but it’s all good. All I know this track gets me amped for the J-Ro and Tash solo albums that are reportedly supposed to drop this summer.

The Mighty Maestro – One Man Band & Stop Selling Me Dreams

These are from a Tuff City single from ’89 that I’ve always enjoyed. I can’t remember where I originally heard them, I’m guessing I heard “One Man Band” on “Yo!” back in the day, that’s where I heard most of those obscure tracks or maybe it was a mixtape I bought back in the day. Regardless I completely forgot about “One Man Band” until Idiot Proof from Cocaine Blunts tossed them up one day. “Stop Selling Me Dreams”, which was the b-side to the single, starts off sounding almost Go-Go-ish in nature but it mellows out and follows the previous tracks formula. I don’t have much to say about the artist, I really don’t know much about him other than a few things I've read here and there. According to his Myspace page, he did some remix work for YZ and I must say, judging by the beats on his myspace, dude was nice behind the boards.

Positive K – Quarter Gram Pam

I’ve always liked Pos K, even before his “I Got A Man” which is the reasoning behind his one hit wonder label applied to him by the mainstream. I can’t remember if I first heard him on the “Nightshift” 12 inch or “I Ain’t Havin’ It” track with him and MC Lyte, but I liked both, especially the “Nightshift” single that contained both the album version and the remix version with Big Daddy Kane. Despite all of that, this track dropped way back in ’87 a good five years before the “Nightshift” single. He definitely improved from this track, which he sounds a bit uncomfortable on the mic and doesn’t have that cocky arrogance found on his only LP he released. I won’t even venture to guess who produced this joint either, but it’s nothing remarkable. He had been known to work with Big Daddy Kane, who I greatly doubt produced this since he himself was just starting out at this time. He also did some work with Jazzy Jay of the Zulu Nation fame, which is possible or maybe even one of the First Priority Family members such as Milk D or King of Chill. It sort of reminds me of LL Cool J’s “Dear Evette” or “Bristol Hotel”, which kind of deals with the same fast woman as the subject matter. The main reason I put it up is it’s early introduction to Positive K, who will always been known as “that guy who did that song “I Got A Man”. (Note: It was produced by Daddy-O, I was way off)

The Tribezmen – Who Got The Vibe

Some typical Boom-Bap Jeep music from the mid 90’s, which fine by me. I know next to nothing about this group. I think it was one of those tracks I picked up off of Vinyl Addicts during they’re heyday. It’s nothing out of the ordinary from the music that came out during this time. It sounds like something that Da King & I, Das Efx, Lords Of The Underground or any of those groups from that time could have made. I’m not saying it’s a bad thing because that’s the reason I love that era of hip-hop and if you were down with that era of hip hop, you’ll probably more than likely love this track. I wouldn’t mind hearing an album from these cats though. Good luck finding much info about them.

King Bee w/ Ultramagnetic MC’s – Cold Slammin’ (Hydro Mix)

Why the hell I haven’t put this on a WYDU Classics Volume already I have no clue, but it should have been on one of the first ones. This shit is fucking incredible. Although, I’m not a big fan of Kool Keith on his post Ultra days, I was a big Kool Keith fan from the Ultra days and this track shows why. Again, it’s not totally different from other stuff that was coming out during this time, but it just does it so well. There is a version that appears on King Bee’s “Royal Jelly” LP that was released ’90 that isn’t as good as this one,but it’s not bad either. One of the King Bee MC's sounds like the dude from “Urban Dance Squad” which isn’t a good thing. The album, which I think a lot was done by Ced Gee isn’t all that bad and I think can be found on Bust The Facts. The track is produced by the King Bee members, All Star Fresh and BC Boy. I don't know much about them though.

Trav’s Top Spins For The Week

After not really downloading anything for almost two weeks, I finally took a day and caught up on some of the stuff I wanted to listen to. This past weekend was a good way to sit down and listen to some albums I’ve been meaning to listen to and a few things got more than one listen and here’s the list.

1. KRS-One & Marley Marl – Hip Hop Lives

I didn’t know what to expect from this when I started listening to it. I’m not going to say it’s classic or anything, because it’s not. That being said, it’s the best thing I’ve heard from KRS since “I Got Next” and that’s coming from someone who considers KRS as one of the top 3 most important figures in modern Hip Hop history. It does get a little tiring listening to Kris say the same thing over and over and over again, but he has a right to say what he’s saying. The beats aren’t as good as I was hoping, but Marley hasn’t really made anything “mind blowing” in my opinion since the Lords and one could argue that K-Def did most of that album. I found it mildly annoying that he uses the same horn lope for the third time Musika. With all that being said, I can see this growing on me. I listened to it once then for some reason I wanted to listen to it again about three hours later, which is always a good sign.

2. Big City – The City Never Sleeps
I have to admit this kind of snuck up on me. I heard about this a few months ago, but completely spaced it off, so when I saw it, I thought it was another one of those run of the mill crap albums that show their ugly faces for a few weeks only to be never seen again. I’m not sure how I finally put two and two together and got giggly as a little girl, but I had to check it out when I finally figured it out. For those of you who were living in the same bubble as I was, this is Psycho Les, Al Tariq and Problemz. Being the big Beatnuts fan that I am, I expected a lot in one way, but in another way, I was deeply disappointed in Pyscho Les’ solo offering from last year. Well, it’s better than that effort, but still not up to par with the usually consistent Beatnut releases either. It did leave me wanting to listen to it again, which in this day in age is a good thing. My favorite joint is “I Hear Ya”, which is typical Beatnuts flavor and Problemz is probably a better MC than any Beatnut, past or present. This one could really grow on me.
3. Blue Scholars – Bayani
It’s been a long time since I’ve had so many people tell me I have to hear a particular album. This album was getting a lot of buzz on the blog circuit and I’ve had some others tell me that I needed to hear it. In a way I hate hearing that, because I usually end up expecting the album to be more than it usually it is and when I first sat down to listen to this album, I had pretty high expectations. While it did disappoint me originally, it was good enough to gather a few more listens over the weekend. It’s on some mellow, smooth shit, which admittedly, I wasn’t really in the mood for when I first listened to it. The second listen I was in a mellower mood, so it meshed with me better. It seemed to get a little preachy toward the end, but it does require you to use your mind while listening, which I have no problem doing. My favorite beat was unfortunately on the “Second Chapter” which is essentially an intro. That beat is freaking amazing. Again, it’s something that I’m going to listen to some more, which is all I really ask for anymore. (Note: This is all I've been listening to this morning, I think it just took off for me)
4. Marco Polo – Port Authority
Still getting play and I’ve found a new song that I love on it. “Marquee” by OC was played about 10 times in a row the other night (I just played it five times in a row while writing this). That beat is sooooo nice. It’s a good sign if I move onto a second song on an album, it means there more reason to listen to it than just the original song that I like, which on this album was…of course…”Nostalgia”. This album has moved up into the realms of being worthy enough to purchase.
5. DJ Jazzy Jeff – The Return Of The Magnificent
Yet another producer album, but for some reason, they seem to be better than regular albums the past year or so. I was a big fan of the Oh No, Exile and Jay Dee albums last year and so far this year, two of the better albums this year are also producer albums as well. I could probably give reasons behind that, such as peoples attention spans are shorter in the digital age and are better suited to the producer albums, which are not as fluid in nature as the a traditional album is, but we’ll save that for another time. I haven’t quite gotten over the hump by declaring this worthy of purchase, but it’s getting close.

WHY?????

Why does Pharaoh Monch sound completely out of place on that “Rehab” remix by Amy Wino errr Winehouse. Don’t get me wrong, I love anything Pharaoh Monch usually puts out, but listening to him rhyme about Nicole Ritchie and Lindsey Lohan on a song that might as well be their theme song, it just all seemed a little…hmmm…contradictory?

Why couldn’t I put down the book written entirely about the making of the Beastie Boys “Paul’s Boutique”? It’s no secret that I love that album and think it’s one of the most creative albums of any genre, so reading about how it came about in a 123 page book was good enough for me to knock out 76 pages in one sitting last week. I haven’t read it since, but I’ve been busy.

Why is being a professional football player hazardous to your health? Another NFL player, Marquis Hill, passed this weekend. At least it wasn’t a Denver Bronco this time.

Why can the Tennessee Titans kiss their hopes of a good season goodbye next year? See the Madden ’08 cover. To me, they are still the Houston Oilers, so fine by me.

Why do I hate that “Throw Some D’s On It” joint so fucking much?

Why do I have no clue who this Mims dude is? Am I really that old?

Why am I really getting amped for that Royce and DJ Premier album after listening to “Hit ‘Em” over and over? (someone hook me up with a non mixtape version)

Why aren’t more people doing remixes like they did in the old days, like “Flava In Your Ear”, with a bunch of guest artists…I kind of miss that.

Why does there seem to be more quality songs this year than last year? So far this year, I could argue that “Nostalgia”, “Can’t Forget About You” and “Mr. Slow Flow” are all worthy of the top spot so far, at least in my book and all could have easily been the best last year.

Why do I just want to punch the TV screen everytime I see that fat pig Rosie O’Fat aka Rosie O’Donnell. That fat bitch just annoys the fuck out of me and shouldn’t be allowed on public TV anytime between the hours of 6 a.m. and midnight. Don’t get me wrong, I’m fairly liberal, but she’s just a fucking quack.

Why is the Hip Hop magazine an endangered species? Will they ever come back? Probably not.

Why did Miss Brazil get screwed out of the Miss Universe last night (don’t ask me why I was watching it). She could be my Miss Universe anytime.

Why are Latina’s (Brazil, Mexico, Venezuela, Puerto Ricans) the hottest women in the world. Don’t let my Greek girlfriend hear that.

Why do I HATE all the reality bullshit shows. Age of Love? The Bachelor? Give me a break.

Why do I feel guilty then to say I kind of like that “The Lot” show about movie directors. I originally stopped on the channel because of the hot Latina announcer it had then laughed at one of the movies and started watching it I’m not sure it’ll rope me totally, but summer TV is pretty shitty usually.

Why did I want to go Phil Helumuth on the bitch who went chasing for a flush against me last week while playing poker and why did I just get up and walk away when she caught it on the river? I flopped a set and bet it hard, this was already after raising my pockets pre-flop. This lady had nothing on the flop and had to catch runner runner anyway you looked at it when she called my bet, but still made the call. Heart on the turn and heart on the river….good night now.

Why after listening to “Hip Hop Lives” did I have a dream that KRS stole money from me?

Why would Domingo have that same dream?

Why am I just now enjoying Pack FM’s “Whutduzfmstand4?”

Why is my uhhh cracked copy of Fruity Loops not working now? Not that I’m trying to be the next Primo, but it’s fun to play around with.

Why can’t even a Primo beat on “Get It Done” save Skyzoo? He just makes me want to fall asleep.

Why did I think since I kind of liked the El-P that I should give the new Sage Francis a chance? It still sucked balls.

Why do parents let their unsupervised children play on the internet when all they really want is a hug?

And finally…..

Why can women get away with blowing off their significant other all day, but if a guy does that we are in deep shit?

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4/27/2007

First Priority Music Family's Greatest Hits, WYDU Style



When you've been around for over a year and a half (which is 25 years in bloggers years), you can get away with posting up a re-run every so often. This week has been craaazy, school, work, bomb threats at work (long story), computer issues, internet issues, and I added a second job (bartending for catering company) has left me with a crunch with time. Hopefully the second job will enable me to finally hook up high speed internet at my apartment and then a lot of this will be a none issue.

Anyway, I'm going to re-use a previous post to back up this next Greatest Hits collection I have for my second favorite "Posse" of all time (after the Juice Crew), the First Priority Music family, which consisted of Audio Two, MC Lyte, Alliance, Barsha, Michie Mee, Kings Of Swing and Positive K. They were THE crew after the Juice Crew disbanded in the late 80's, yet they don't recieve much recoginition in the grand scheme of things in the history of the hip hop culture. The FPM family consisted of; Audio Two (brothers Milk Dee & Gizmo), MC Lyte, Alliance, Michie Mee, Kings Of Swing, Positive K, Barsha, and one of two in house producers (Milk Dee was the other) King of Chill. The label was lead by Lyte's, Milk's & Giz's father, Nat Robinson who, if I remember right, started up the label to help Milk further his hip hop career.

As noted, much of the production on many of the albums was handled by either Audio Two or King of Chill and consisted of the "bare bones" approach so highly popular during the day. It was great "boom bap" music of the time. The label never garnished any high record sales, except with maybe Lyte's releases (gold on the first two releases ?), but still mark one of the greatest labels in the "golden age" of hip hop. They are still in business and I was suprised to see they had the R&B sensation from a few years ago, Eamon.

http://www.myspace.com/firstprioritymusic

http://firstprioritymusic.com/

Here's a little re-post in case anyone missed it the first time. I must also give MAJOR props to Moves on the cocaine blunts boards, if it wasn't for him, a few of these albums wouldn't be available to me and it's helped quench my thirst for this early FPM music.

THE DISCOGRAPHY


The First Priority Music Family : Basement Flavor (First Priority Music 1990)

1 Alliance -Get On Down (3:48) Producer - The King Of Chill
2 Audio Two- Many Styles (4:55) Producer - Audio Two
3 MC Lyte & Positive K- I'm Not Havin' It (3:29) Producer - Audio Two
4 Michee Mee & LA Luv- Victory Is Calling (5:29) Featuring -MC Lyte Producer - Beat Factory
5 MC Lyte- Survival Of The Fittest (3:58) Producer -The King Of Chill
6 Positive K- Tramp (3:22) Featuring - Milk Dee Producer - Audio Two
7 Audio Two- Peer Pressure (4:06) Producer - Audio Two
8 Michie Mee & LA Luv- On This Mic (5:42) Producer - Beat Factory
9 Alliance- Kibbles And Bits (4:24) Producer - Alliance
10 Positive K- Impulse On Three (4:35) Featuring - Barsha Producer - Audio Two
11 Soulshock- Break The Limits (4:54) Featuring - See-Que Producer - Solid Productions

Kings Of Swing - Strategy

The first legit post of this series see's the Kings of Swing's album "Strategy" which was released in 1990. The Kings of Swing consisted of Sugar Kay, Mike Master & Cocoa Chanelle. Despite the horrible looking R&B/New Jack Swing looking cover the album contains some rather nice tracks. The album was produced by the two in house producers, Milk and King of Chill, and has some rather funky breaks used, something that seemed more diverse than some other FPM family releases. Two Minutes of Funk is just that, two minutes of funk and uses a loop that Marley Marl dug up on LL's To Da Break Of Dawn. Betty Boop has a funky guitar loop conjured up by King Of Chill. On the next track, Nod Your Head To This uses a loop that would later be used by DJ Muggs on Cypress Hill's Real Estate track from their self-titled debut. The cut also contains some crazy DJ work.

One of the odd things about the group then, and even now, is the fact the female, Cocoa Chanelle, was the groups DJ and a damn good one at that. This album contains lots of cuts and scratching from the female DJ and even has two DJ cuts on here. From what I read, she is now a DJ on one of the NY radio stations.

While they are not the greatest MC's, they are able enough not to distract from the overall product and let's face it, lyricism wasn't at an all time during this time period for the most part. I'm sure overrating this because of the old school mode I've been in lately, but this is one of the better albums of 1990 (I always thought 90' was the most over hyped of the so-called "Golden Years"), defintely give it a listen if you at all into the older stuff.


AUDIO TWO - I Don't Care The Album & What More Can I Say

Part two of our First Priority Music Family series leads us to who I orginally wanted to lead off with, Audio Two. Audio Two were composed of Milk Dee on vocals and Giz as the DJ. As mentioned before, the two were brothers and sons of label head, Nat Robinson. Despite that MC Lyte seemed to be the top seller (I don't have the actual numbers, just guessing) on the label, Audio Two seemed to be the the crown princes of the label. This is was only natural since Giz and Milk were Nat Robinson's natural son's while Lyte was only a half sibling of the two. They dropped a hip hop classic in "Top Billin" (my personal favorite all -time favorite hip hop single) in 87' and then their debut album "What More Can I Say" in 88'. It garned enough attention to put them up amoung top releases of one of the best hip hop years ever. In 1990 they dropped their somewhat underrated album "I Don't Care: The Album".

I've read a lot of bad press on this album. I think it was actually TO bragadocious for people. The album got slammed for being "to one dimensional" (go figure, now it's okay). It also caught flack for some of the lyrics on "Whatcha' Lookin' At?" which contained some so called "bigotary" lyrics, with his "gay mutha's should get punched in the face" line along with a few other questionable lines. As a naive high school senior, I loved it. Not saying it was right, but it added to the albums attractiveness. As far as lyrics, there is nothing ground breaking. It's either party starters or Milk bragging how bad he is. To me hip hop is built on that though, people forget that. Yeah, it's fine to grow, but like the roots of a tree, the roots of hip hop also hold the art form into the ground firmly and thats what Audio Two did. It's in your face bragging rhymes. Tracks like "Milk Does The Body Good (remix)" are straight badass lyrics. While it's true Milks lyrics are not deep or politicaly correct, but to me, this is the stuff that drew me to hip hop in the first place. They are one of the first artists to dis MC Hammer on "Start It Up Y'all" with his "(Pos K & others)So what's up with Hammer? Yo Hammer can't rhyme and 357 is a bunch of Ho's". Straight in your face lyrics and hard core beats. Don't expect to be blown away by lyrics.

Beat wise, it's all done by Milk. It's a bit more musical that "What More Can I Say", but that ain't sayin' much. Lot's of familar breaks (familar because of Milk and the other old school cats) and some hard drums. Milk seemed to still favor the 808 approach to things that had started to pass by NY by this time. There is nothing mind blowing as far as beats go, but for a simpler time, this music was great. I remember playing this a lot on the way to my senior year in high school (yeah I'm dating myself) and knowing just about all the words. This is a classic to me, fuck everyone else....

Alliance - We Could Get Used To This (First Priority Music, 1988)

1 Bustin' Loose (3:58) 2 We Could Get Used To This (4:48) 3 I, Alliance (3:49) 4 Fish Heads (2:55) 5 Your Idol (3:07) 6 Down To Earth (3:15) 7 Just Another Message (3:04) 8 Ready Set (4:08) 9 I've Found (2:13) 10 Pure Skill (3:37) 11 Extensions (0:41) 12 Leeches (3:01) 13 Still You Sleep (3:04)

Part three of our FPM family takes to the 1988 album from the Alliance. The Alliance were made up of King Of Chill, K-Swift and DJ Skill. They were also among the first to drop albums on the label, right after Audio Two and MC Lyte. King of Chill would become one of the main producers at the label.

I honestly don't know shit about the group for the most part and was only introduced recently to the album by Moves from the Cocaine Blunts board. I've only gone through the ablum 2-3 times real well, but it's in typical FPM fashion, a definete must for any fan of the label.

Michie Mee & LA Luv - Jamacian Funk, Canadian Style (First Priority Music, 1991)

1. Prelude No. 1 2. Jamaican Funk Canadian Style 3. Kotch 4. Insecure Luva 5. Prelude No. 2 6. If Only They Knew 7. Prelude No. 3 8. All Night Stand 9. We've Arrived In America 10. L.A. Luv De Bout 11. You're Feisty 12. A Portion From Up North 13. Canada Large 14. Get It Together (Bonus Track) 15. Jamacian Funk (Bonus Track)

Part four of the series is another album I know very little about. While looking for an album cover and some info on Michie, I found out she was the first female Canadian hip hop artist signed to an american label. The album itself is a weird mix of raggae and hip hop, which was abundant in the early 90's with the dancehall craze taking off. She has a done some acting in recent years. You can learn more about her here http://www.myspace.com/michiemee2007

Then of course you had the first two MC Lyte albums that were heavily First Priority influenced with either King of Chill or Milk D doing the production on them

WYDU PResents The First Priority Music Family's Greatest Hits (For all those out there unfamiliar with the Crew, here is a sampler of their music)
http://www.divshare.com/download/475128-f2a

1. Audio Two - Top Billin
2. Positive K & MC Lyte - I'm Not Havin' It
3. Alliance - Bustin' Loose
4. Audio Two - On The Road
5. Kings Of Swing - Strategy
6. Audio Two - I Don't Care
7. Michie Mee & DJ LA Luv - Jamican Funk Candian Style
8. Barsha - Knockin' Hineys
9. MC Lyte - Cha Cha Cha
10. Kings Of Swing - Two Minutes Of Funk
11. Alliance - We Could Get Used To This
12. Positive K & Barsha - Tramp
13. Barsha - B.A.R.
14. Alliance - Get On Down
15. Kings Of Swing - Nod Your Head To This
16. Audio Two - Milk Does The Body Good
17. MC Lyte - Lyte As A Rock
18. Audio Two - The Questions
19. Alliance - Kibble and Bits
20. Audio Two, MC Lyte, & Positive K - Start It Up
21. Positive K & Barsha - Impulse On Three







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