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Showing posts with label Storm Davis. Show all posts
Showing posts with label Storm Davis. Show all posts

3/10/2010

Reason - Stalker Stories

All I got to say it's about damn time. Anytime one of the Poorly Drawn People cats drop a mixtape or an album, it's always a big thing in my world. And after almost four years when he released Gemini Slang, PDP member Reason gets geared up to drop his Landlords & Lullabies album on April 6th. Reason is known for his "telling it like it is" approach on the mic. I'm eagerly awaiting for it to drop, but to hold us over, Reason and PDP Recordings drops this little mixtape. Haven't heard it yet, but I'm unzipping the file as I type this. Sure it won't disappoint. Also, check for that cat Falside's ode to Landlords & Lullabies, in the form of some teaser clips....check them out......


Poorly Drawn Recordings proudly presents the new mixtape from Reason! Featuring 15 unreleased tracks with production by Falside, Dox of Poorly Drawn People and PhillipDrummond. With guest appearances by Storm Davis, Dirty Hank, Cas Uno, Esh The Monolith and Intrikit.

Click here for your free download of Stalker Stories!

Tracklisting:
01 Issue Scar Tissue
02 Dysfunction
03 A Stalker Story
04 Get Downsized
05 Worriers feat. Dirty Hank
06 Its Not You Its Me
07 No Meat No Fish (cuts by DJ Emoh Betta)
08 My Tape On Drugs (Falside Remix)
09 Marla Singer feat. Dirty Hank
10 Distance
11 Dead T-Shirts (Falside Remix)
12 All Together feat. Storm Davis, Intrikit, Dirty Hank, Cas Uno, Esh The Monolith, DJ Save
13 Here Today
14 Shut Up & Rap
15 Last Letter





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3/18/2009

Poorly Drawn People - Motion Not Emotion

We here at WYDU are all about supporting good, quality music. It also helps if they are good people. Certain people I just refuse to promote, like say New England Patriots fans....but sometimes I bend the rules. That's what I do for the cat they call Storm Davis. If you are new to WYDU, Storm has his band of merry men (pause) known as Poorly Drawn People get mad respect and play around these parts. PDP has built a nice little following around the northeast with strong live shows (so they tell me) and classic mixtapes such as "Nothing Stays Gold" and "Shoot For the Stars, Hit The Ceiling". Storm himself dropped a personal classic of mine in the form of "Kegstand Poetry for the Recovering Alcoholic" (one of the greatest albums names in the history of hip hop) and fellow crew member, Reason also released his own solo, "Gemini Slang". You'll be seeing more from Storm and DJ Sterbyrock in the very near future here on WYDU, we just can't say what, or we'd have to kill you.

In case you need convincing....
Poorly Drawn People - Shoot For The Stars, Hit The Ceiling



















Free Download:http://www.sendspace.com/file/w55gbq


PDP is back with a new EP, "Motion Not Emotion". I have yet to hear it, but I'll go out on the proverbial limb and say it's worth copping. Also, if you around the Rhode Island area, you can catch them at their CD release party. Here is all the info you could ever want..... - Trav


Greetings all,
Before we begin, here's a website you're going to want to visit when you're done reading this: www.myspace.com/motionnotemotion

What's the 411, you ask? Well, Mary J, here you go:

Storm Davis & Poorly Drawn People have emerged from their winter hibernation to announce their first release of 2009, Motion Not Emotion!
PDP_MNE_Announcement.jpg picture by poorlydrawnpeople

Twelve BRAND NEW tracks from Storm Davis and Reason, produced by Dox, with cuts by DJ Sterbyrock.

Featuring appearances by Esh the Monolith and Cas Uno of Labeless Illtelligence.
Appearing in car stereos, iPods, and your significant other's playlist on Tuesday March 31 2009!

So, how can you get your hands on the CD? Well, here's how:
PDP_MNE_PreOrderInstructions2.jpg picture by poorlydrawnpeople
and you can do all of that at www.myspace.com/motionnotemotion

The songs will be appearing on iTunes, Amazon, eMusic, and the rest of your favorite e-tailers in the coming weeks, but the only place you can get this music until then is directly through us!

"BUT I HATE THE INTERNET, STORM DAVIS! I DON'T PLAY THAT SHIT," you say.
Well, come join us at the CD Release Show on Saturday April 4 in Providence RI!

PDP-FH13-MNE4x5.jpg picture by poorlydrawnpeople

Saturday April 4 2009
FIREHOUSE 13
41 Central St, Providence RI
$7 / ALL AGES / Doors 9pm
www.firehouse13.org
----
featuring performances by

POORLY DRAWN PEOPLE
(Storm Davis / Reason / Dox / DJ Sterbyrock)

METERMAIDS
(Brooklyn NY | www.myspace.com/metermaids)

RADIx
(Worcester MA | www.myspace.com/radix)

Ax Butane
(Boston / Providence | www.myspace.com/axebutane)

Los Wunder Twins Del Rap
(Lowell MA | www.myspace.com/loswundertwinsdelrap)
----
Hosted by CAS UNO & ESH THE MONOLITH of Labeless Illtelligence
Sounds provided by DJ STERBYROCK

...and really, that's all the information we feel you can handle through the fog of your post-St. Patrick's hangover.
To summarize:

NEW CD
NEW T-SHIRTS
RECORD RELEASE SHOW

Please, validate our lives by donating the cost of a 12-pack, and we'll send you a shiny new CD in return, full of our (sonic) blood, sweat, and the aforementioned beers.

We truly do appreciate all the support you've all given us over the years, it is what helps keep us going. And keeps us able to make announcements like these.

Feel free to spread your excitement all over the place. Like they do at the end of all the really good movies.

You know what I'm talkin about.
perpetually,
www.myspace.com/motionnotemotion

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5/30/2008

Spins, Tracks, & Thoughts For The Week

WYDU just recently went over 500 posts. I was going to do something special for the 500 posts milestone, but in all honesty with some "extracurricular" activities going on in my life and the holiday weekend this past weekend, I spaced it off. I guess I'll save my idea for The Daughter's three year birthday. But looking back at the sheer number of "500 posts", it kind of boggles my mind. Obviously I haven't done all 500+ but I'm guessing I've done at least 400 of them. Not sure what that says about my own life, drive or desire for this site to succeed. Maybe it says a little bit about all of those factors. It'd be different if a lot of those 500 were just mp3 tracks thrown up or a few sentences and call it a post, and we have those kind of posts, don't get me wrong, but they are few and far between. There has been a lot of planning, research, writing and just overall execution that has gone into a lot of these posts. I'll admit, I've been feeling a bit burned out, unmotivated and uninspired lately but I guess that's bound to happen from time to time. No fear, I've experienced this feeling before and once I figure out how to make a living out of doing nothing but blogging and hip hop related stuff, then shit is on, but till then, we'll just plod our way to another 500. Thanks to everyone who has ever visited, sent an email, left a comment and even acted like a douche bag, you've all made this entertaining and fun to do.

Masta Ace & Edo G

I've heard word through my close sources (and actually its been on Ed's myspace for over a month) that Ace & Ed have started working on a new album together entitled (tentatively) A&E. We all know how I feel about Ace, so any project with Ace always sounds good to me, but the joints Ace and Ed have done in the past ("Wishin'" anyone?) have always been on point, so after waiting two plus years in anticipation for the eMC project, the wait starts again for Ace and Ed. There is a rough copy of a new Ed & Ace track on Hip 2 Da Game, check it out if you haven't yet, it's pretty nice.

Top Ten Tracks of the Past Few Weeks & Top Five Spins
I've always met for this to be a weekly feature, but I'll be damned if I can keep it on schedule, so we'll just say these are my favorite tracks of the past two-three weeks or so. After a fairly slow start of the year, things are starting to pick up. I've hit upon a couple albums that I'm feeling and also getting some tracks stuck in my head that are getting some major play

10. Nino Bless - Droppin' Names (Scratches by Scram Jones)

I'll probably get some heat for selecting this track, but I'll gladly take it. The fact that just the thought of most of the New York "Dun Rap" stuff sends me into an narcoleptic seizzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzure....sorry about that, but you get my point. I didn't really know much about Nino Bless, wasn't he one of the dudes on Puffy's "Making The Band"? Regardless, I like the cats flow and the beat on this track and while the concept of the song, dropping group names (ala alcoholic drinks, breakfast cereal and other things) throughout the rhymes isn't all that new or original, it is well executed. He just dropped a new street LP titled Untold Scriptures that I have yet to listen to as of yet, but this track is rather nice.

9. The Grynch - That's Hip Hop

I've been sitting on this track for awhile, but this it has really grown on me. I don't know all that much about the artist, other than he is from my neck of the woods (well, same region) in Seattle. The track doesn't break the mold of the typical "Ode To Hip Hop" type of track, it's just the fact that the Grynch does it well. I'm not sure who is on the beats, but it's horn heavy with a thick sound to it. You can find his mixtape "Heat" from last year here.

8. Pharohoe Monch - Broken Heart

Why couldn't "Desire" have joints like this? Sure, it's mellow, kind of slow and sounds like "adult contemporary" hip hop, but Monch's smooth and soulful delivery that he has trademarked just glides over the headin' bobbin' track. Not sure where this is coming from, but hopefully if he is doin' a new album, it's more like this.

7. You - Atmosphere

I've heard mixed reactions toward "You". All in all, just about everything I've read and seen regarding Slug and Ant's new album has been positive, but some people list this as their least favorite song and some list it as their favorite. I'm guessing the catchiness that the song encompasses probably is the main factor in that response. Me personally, I've spent many days at work with this track going through my head. It does contain that pop-like quality of containing a simple yet catchy hook, but I'm okay with that. Also the fact that it's one of the more uptempo tracks on the album also makes me like it more than I probably would otherwise. They don't disappoint.

6. Grip Grand - Poppin' Pockets feat A.G.

Why isn't this cat down with Stones Throw? Sounds like something right down their alley. Grip's album, Brokelore, has gotten enough plays from me that I would call it one of my top 5 favorites of the year so far. While the remix for "Poppin' Pockets" is nowhere my favorite track from the album, like most albums that I like and start playing on a daily basis, but favorites roam from track to track. Lately, I've had this song stuck in my head. Not sure if it's the chipmunk sample of the way AG and Grip flow back and forth over the track, or shit, it might be the catchy ass hook. Just another banger from the "Brokelore" album.

5. Copywrite feat King Dom - It's A Wrap

I know it's not cool to like Copy, but I never given a shit about that kind of thing. I've always liked Copy as an MC. Don't know him any other way, so whatever. I'm guessing this track has been around in the past, but I just kind of "re-discovered" it on the bootleg of his that's floating around. It's over a Dilla beat, not sure if it's legit or what, but the beat is classic Dilla and Copy and partner sound pretty damn fresh on it. Eric told me it was probably from The Cruise Control mixtape that he dropped a year or two ago, which that might be, I'm sure I've heard this before, but for some reason it grabbed me this time around.

4. Weapon X - Asshole Syndrome

Another album that has been getting a steady increasing amount of spins. I'm not real familiar with Weapon X either, but I know he is out of LA and has some serious potential. Not saying his album "Portrait of a Starving Artists" is mediocre, far from it. This track employs an almost nursery rhyme hook, but I get a chuckle out of it. If you are like me, you'll end up singing along with it.

3. Praverb - Freedom To Prevail

I'm a sucka for strings, and man, does this song possess some serious strings. It almost reminds me of the first time I heard "Paparazzi", it's that good. This track will cause you to catch a kink in the ole' neck as you nod along to the beat. Long time WYDU favorite Praverb brings the goods lyric wise as well. Great track all the way around.


2. Dagha - Scat

You'll hear me gushing about The Divorce soon enough, but this track is an example of why I'm so high on the album. Let's just say it's one of the 6 new CD's I picked up recently. A big band sounding sample lets Dagha just rip shit in an old school funky way. Great track that should be in the top 25 by the end of the year.

1. Has-Lo & Small Professor - Prelude

My man Has and my man Small Pro bring the heat on the ...Still Fucked EP. This track is just simply amazing to me. As I've mentioned before, I saw no reason for Has' original EP to get the remix treatment, but I'll be damn if some joints are better than the originals. This one is a toss up with the original, just because I'm such a big fan of the original.

Top Spins

1. Has-Lo & Small Professor - Fuck Has Day: Remixed But Still Fucked

I've said pretty much all I've needed to say about this remix EP last week. The more I listen, the more it grows on me. It's just a solid album all the way around. And best of all, it's free. Also, be on the look out for a "top secret" project from Has in the upcoming weeks.

2. Dagha - The Divorce

Thanks to my man Jaz for pointing this out to me. I had heard of Dagha only as a guest artist on one of Edan's albums a few years back. Nothing that really made me take notice, but when I sat down with this beautifully executed concept album, I had to hit "replay" when I was done with and go through it again. It's funny, when I first listened to it, it immediately reminded me of Connecticut legend Dooley-O, and come to find out, Dagha is on Lewis Recordings, the same label that Dooley is on (or at least was, I haven't checked lately). Dagha is straight from Beantown, Boston for the suckas out there, and I think made a better album that Dooley's "I Gotcha..". The album is based on going through a divorce, which I've never had the pleasure of going through, but I can still relate in some ways. Very witty and funny, this will be one of my top albums of the year in the near future.

3. Atmosphere - When Life Gives You Lemons, Paint That Shit Gold

I'm still playing this quite a bit, although I've cooled down from in the past couple weeks. There really isn't any song I dislike on it, but some I obviously feel more than others. I'm not sure where this will fall in at for my favorite albums of the year, but I'm guessing pretty high. It's a mature effort from Slug and something different (or maybe a revert to the old sound) from Ant.

4. Grip Grand - Brokelore

Another album I'm pumping on a regular basis. I can't really even pinpoint why I'm diggin' this album so much, it's just easy for me to get a "grip" on, excuse the bad pun. The beats aren't the greatest, Grip as an MC isn't the greatest, it's all just comes together in a way that makes me want to listen to it more and more. Only one track really sucks on it, all the rest have really made it on my list of favorites at one time or another.

5. (TIE) Poorly Drawn People - Shoot For the Stars, Hit The Ceiling & Joe Budden & Ill Poetic Meets Portishead - Mood Muzik 3 Remixes

My man Storm Davis and his crew, PDP are still getting regular spins as well. I almost got in trouble for singing "Storm Davis fucks like a puma" the other day at work....not good. I'm still waiting on Storm's next release (where the fuck is it dude?) but this is more than a good enough holdover until that happens.

My man Eric does more than enough promoting for his dude Ill Poetic, but I can't front on this remix album, it's fuckin' incredible. Totally my kind of shit, just loud....noise. And well know how much I dig the noise production, ala Bomb Squad. This shit just fuckin' bangs like crazy. I've always liked Ill Poetic, not as much as Eric, but this jumped him up a couple spots on my list for sure.

WHY???
Why am I not sure what to think of the new Busta album line up? Once again, a ton of guest appearances and some odd ones at that. I did like the last one though, so I'll give this a chance.

Why (and I brace myself for the hate) am I not really feeling the new Roots album? And this is coming from someone who at one time claimed the Roots as one of his favorite groups.

Why did that Digital Underground sneak up on everybody?

Why have I still yet to listen to it?

Why do I kind of want to see Vakill go at this Matlock dude? Nothing against Matlock, I don't really know who he is, but I would like to see Vakill go agro on someone.

Why if I heard the news about Little Brother possibly never recording another album 5 years ago, I would have been effected more than I am now?

Why do I not get what the hype is about this Wale cat?

Why have I yet to hear any of the new Nas songs? Dude will just end up pissing me off when the album is released anyway.

Why does it take someone's passing for me to realize the quality material the put out? RIP Camu Tao

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4/09/2008

Hump Day Freeness

You know you aren't exactly thrilled with your jobby job when you are counting down the days left in the week. Or in my case, counting every two hours that go by until the next break. Yes, I love my job.

So, while you await the GRAND finale of the Philaflava Obscure tracks, with the posting of my own ten or twenty favorite "obscure" choices, I figured I'd toss up some FREE (I know, everything is free on the net, but this is guilty conscious free) material. Enjoy your hump day.

Poorly Drawn People - Shoot For The Stars, Hit The Ceiling

1. WDPD In Cincinnati (Intro
2. PDP - Hooked on Symphonics
3. Reason & Storm Davis - Life On the C-List
4. Reason - Damn Kid
5. Storm Davis feat Prolyphic - Fortune Favors the Bold
6. Reason feat Cas Uno & Esh - Cops & Crooks
7. Storm Davis - Each One Teach One
8. Reason - Let The People
9. Storm Davis feat Ams Uno & Prolyphic
10. Reason - Blue Collar Bird
11. Reason & Storm Davis - Fool
12. Storm Davis - The Fight
13. @ The PDP Mansion Pt. 1
14. PDP - No Interruptions
15. @ The PDP Mansion Pt. 2
16. Reason - Sexxx Smells
17. Storm Davis - Bring The Beat Back
18. Reason & Dox - Poison Propaganda
19. Poorly Drawn Intelligence (Cas Uno, Storm Davis, Reason, Esh, Dox, Al Bums - Out of Order Border Patrol
20. Storm Davis - Storm Davis Fucks Like A Puma
21. Reason - The Vaccine ReDox
22. Storm Davis - Spartan ReDox
23. Reason - These People
24. Dox feat Smokey Robinson - This Masquerade

For those of you that are "veterans" of this blog, I feel sorry for you. You should also recognize the name Storm Davis. Storm was one of the first artists that I really started pushing on the blog every chance I got, late last summer. Storm hails out of Providence, Rhode Island and is down with the Poorly Drawn People, which consists of artists like Reason, Dox, Symmetry among others. They dropped a rather dope mixtape last fall entitled "Nothing Stays Gold" that got some play in my "ghetto iPod" at the time and was tied for "Best Free Album" in the WYDU Year End Awards. They are back again with another mixtape (I haven't had the chance to listen to it as of yet), which hopefully will hold the fans over until Storm releases his own solo album later this year.

Decay of the Molemen - The Unlikely Villain

1. It Begins
2. Anti-Hero
3. No Joes Alive
4. Commercial #1
5. Liqour
6. Faster Lane
7. Bullet Proof Bros.
8. Self Centered (Interlude)
9. Will Line
10. Commercial #2
11. Wild Lavendar
12. He Came From
13. Bent Halo
14. Super Friends
15. Reign Blood
16. Rap Bitches
17. Beef Wrap
18. Lousy Bum
19. Commercial #3
20. Green Llama Backs
21. The End

More Molemen goodness. It's a prelude to his Unlikely Hero LP which is Decay's new album coming out in July on Molemen Records.

Here's Decay's myspace page http://www.myspace.com/emceedecay

Billy Danze Interview

Part One
http://link.brightcove.com/services/link/bcpid1287040724/bclid1295326981/bctid1493173400







http://link.brightcove.com/services/link/bcpid1287040724/bclid1295326981/bctid1493152505



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8/13/2007

WYDU Reviews: Muthafuck a Critic; Part One



Anyone can be a critic on the internet. That's the beauty of the whole thing. We are all critics and nobody is a fan anymore. I can get on here and spout off why you should or shouldn't buy the new Paul Wall album and you may or may not think I'm full of shit. Regardless, I like to think I know what I'm talking about and am knowledgeable enough for my "pseudo professional" blogger opinion matters in the minds of my readers. I have also been getting multiple requests from artists and labels to review their material, which I'm all for, especially if it results in me getting free stuff. So I've decided that once a week (hopefully on Saturdays) I'll be doing a some reviews.

for any review considerations, please email me at the contact link to the right, or travglave@yahoo.com

WYDU Meets Bust The Facts

As we all know, my love lies within the past of hip hop. Call me old fashioned or just plain old, but give me a lost classic or unknown jewel from the golden age anytime over any new album. I will be covering a mix of new material AND old material. But let's fact it, most of you know all the old classics. Why would you want to come here and read my take on an album that has been reviewed at nausea a million times over? Nah, thats no fun. In conjunction with Bust The Facts, I'll do a review on something that has been posted on possibly the greatest blog that has ever existed. The only knock I've heard against BTF is that they don't do write ups of their albums. Obviously, even I don't have a clue what some of the stuff that the good man Dread uploads, but I've downloaded quite a bit since the conception of the blog, some stuff which I could see some people skipping over if they hadn't heard of it before. I'm here to steer you in the right direction in case you went down the wrong fork in the road. That's what I'm here for. You can thank me later.
New Underground Albums
Shit is crazy out here. Everybody has an album. Everybody is trying to get their game on, its all about the hustle. There is sooooo much new stuff out there its almost impossible for us to listen to it all. I know some of you try, but its nearly impossible. I've had people in the past ask me to review their album, but I wasn't really comfortable doing many reviews. I've written reviews in the past for sites like Bombfirst.com, but I was keeping with a theme on this blog and reviews just didn't fit in. Well I've started moving WYDU in a different direction and would be willing to accecpt materials for review purpose. I've already got material that will last me for the next three or four weeks, but go ahead and submit any requests by contacting me via email. No links to anything sent to me will be used. I'm doing this strictly for promotional purposes for the artists and to sharpen my own writing skills up.

I've ran into a some albums the past year or so from blogs that I would never have checked out or heard if it wasn't for the word of mouth around the blog community. Some of it was pure luck that I checked out a particular album, some of it was on recommendations from trusted companions or friends. If I don't have any material sent to me by an artist or label for a particular week, well I'm just going to find some off the wall album that might be in that "obscure" region of the internet and write up about that. I prefer a group or album I've never heard before. My past troubles of doing reviews was, well, I'd only review material that I liked (its hard for me to focus on music I don't like), but I'll do my best to stick to the relatively underground/obscure music. No reviews of the new Common or Talib Kweli (unless they personally want me to, but I'm not going to hold my breath on that happening).

Storm Davis - Kegstand Poetry for the Recovering Alcoholic (Poorly Drawn People, 2006)
Storm Davis' Myspace
Storm Daivs.com

Artists Biography
Storm Davis first freestyled on a Providence, Rhode Island, city bus in 1989. He battled a female volleyball player from a cross-city high school.

She won.

Undaunted by this crushing defeat, he began to seriously rap as a joke in 1993, recording horrifying lo-fi demos with a mysterious karaoke DJ named The Snail. These sessions found their way into local shops between 1994 and 1996, manifesting as two appalling mixtapes that have luckily disappeared from the public consciousness.

Storm spent most of the late 1990s beginning and ending projects with numerous collaborators far more talented than himself, always dropping out to foolishly attempt to adapt himself to a more conventional lifestyle that was destined not to take.

He entered freestyle battle competitions, recorded some mixtape 'exclusives,' and generally leaned against the wall during the earliest hours of this underground hip hop party.

He perfected an earth-shattering Jason Priestley impression.

This did little to further his career.

Around the turn of the century, Storm dabbled in the Providence coffee shop spoken word scene, and still clings to the delusional notion that he had something to do with local cafe Cup of Joes winning the 2000 Providence Phoenix Best Spoken Word/Open Mic selection (he was a featured weekly performer).

Davis then began working in the independent film scene, as well as at a boutique music label/management company, in the hopes of helping to further the careers of associates and other artists he was certain were better than he. Both ventures ended in disaster.

In late 2003, standing amidst the smoldering ruins of a once promising life with nothing but a resume heavily tilted toward the loss column and pounds of pages of unrecorded songs, SD finally decided that intense drive, clear vision, and an unwillingness to accept reality were far more important than astounding talent.

Thus he began recording a proper debut album, called KEGSTAND POETRY FOR THE RECOVERING ALCOHOLIC, crafting literate, personal lyrics true to the legacies of forgotten hip hop legends like Justin Warfield, Divine Styler, and Wise Intelligent of Poor Righteous Teachers, melded with melodic sensibilities inspired by artists like Faith No More, Kilgore (Smudge), and ex-House of Pain frontman Everlast.

The LP arrived in stores in May 2006 to a whirlwind of raised eyebrows, moderate apathy, and the unbridled glee of the occasional diehard devotee.

In 2004, Storm joined forces with a cadre of New England's finest emcees and producers to form Poorly Drawn People, the latest in this nauseating wave of overly-emotional underground hiphop crews that swurrr to gawd they gon change da game... they won't... neither will PDP... but, the music is rather impressive.
Storm would appreciate it greatly if you stayed tuned as the saga continues to unfold.

Review
A friend and I were having a conversation the other day and I mentioned a particular album was growing on me, she told me that she thought people didn't "grow" to like albums, that its just our mind playing tricks on us, it's just us getting familiar with an album. We either like it when we first hear a song or album or we don't. I, of course, called bullshit, but in this age of the internet and downloading, the consumer has access to SO much music that I believe it's important for an album to stand out on the first listen anymore. If an album doesn't have something that grabs me in the first listen or two, its more than likely going to get shoved to the shelf or sit as a file on my computer. It's not often an album gets a second chance to be heard. One such album that "came back from the dead" was Storm Davis' "Kegstand Poetry for the Recovering Alcoholic".

I first ran across this album on a blog (I know, bad reviewer) earlier in the year. The only reason I even gave it a chance was the title of the album and the fact the MC took his name from an 80's baseball player that I always kind of liked. My first impression was not one of an amazement, and to be fair, it wasn't one of disappointment either. It was more like "eh", and that was that. A couple weeks later, after a drunkin' night at the bars, I came home and put the old Winamp on shuffle when "Kegstand Poetry" (the title track) came on and started playing. My drunken self thought it was the greatest track of all-time. The chorus was made up of the same stuff that a good drunken Irish tune is made up of, a good sing-a-long hook that you can scream at the top of your lungs....which is what I proceeded to do. The seed was planted, I had to revisit this album. Eventually after giving it more spins, I got a good read on what it was Storm Davis was trying to convey to the listener.

Trying to figure out exactly why I enjoyed this album was some what difficult. Storm isn't the best lyricist by any sense of the means. The beats are not the smooth jazzy beats that seem to be all the rage in the underground scene these days, yet the album has steadily become a favorite of mine over the past few months. Maybe its that I can relate to a lot of the subject material, whether is about drinking, fucked up life, or bringing home girls drunk off your ass. Maybe it's the old school feel the tracks have. It's obvious Storm has a connection to hip hop's past. Much of his music feels like it could have been released in '94, while still holding a modern day feel to them. The albums kickoff "Spelling Lesson" kicks things off nicely with trumpeting horns and a nice Nine sample that gives it that "golden age" feel to it. The hook also adds to the nostalgia with an in your face Storm coming hard on the track.

As far as flow and tone, even Storm himself admits he has "..that old school delivery..". At first his vocal tone took some getting used to, but once I did, I consider it one of his strong points. He definitely doesn't sound like anyone else out there right now as far as vocal tone is considered. Storm seems to experiment with different flows through out the album, some working with great results, others he seems uncomfortable and stiff on. One of his better attempts is on "Illest It Gets", where he rides a fairly basic beat rather effortlessly. As mentioned, SD isn't the strongest lyricist ever to grace the mic, but he is more than capable of holding his own with the guests that grace the LP on several songs. Probably the best posse cut is "Major League" with Sneak Techniks, Reason, & Demigodz affliate, Emilio Lopez. I've been wanting to hear more from Emilio Lopez after hearing him collaborate with Apathy on one of his mixtapes a few years back and he doesn't disappoint.

I have two favorite songs from the "Kegstand Poetry....". Each song is rather different from each other as far as topics, but I think its an excellent example of the diversity that Storm delivers on the album. The title track "Kegstand Poetry" is a party joint that ends the joint in grand style. With a sing-a-long chorus that can be sung out at the top of ones lungs, it just sticks in the listeners head. Storm also sounds the most comfortable on this type of beat, with a rolling bassline and staccato like drum pattern. He sounds like he is just having fun with the track and his flow used on this is just about perfect for what he is as an MC. The other track might get Storm the dreaded "emo" tag, but Slug from Atmosphere has seemed to make a pretty good living at it, so why not. The female/boozing track "She" could have easily been the theme song for my early 20's. The song details the practice of combining alcohol and women, leaves Storm exclaiming "she's the chaser to the liquor that puts me over the top". A mellow beat accompanies the lyrics that adds to the somewhat funny, but also truthful lyrics.

Beat wise, the album has some standout tracks and also some sub par beats that slow up the album. When the production is at its best, the album is at its strongest. Tracks such as the bouncy "City On The Edge" sounds like it would fit on a Mos Def album when he still picked good beats. Its these strong beats that hide some of Storm's some what awkwardness shown on some tracks. Others such as the dark "Spartan" really add feeling to the track and paint a picture that aids in Storm's messages. "Man In The Mirror" is another dope track that samples either Steve Miller or another classic rock song that I can't think of right now, but its something rather different than most other production out there. There are a few lackluster beats such as "Little Bit Of Luck" which seems to have an out of place beat and a Storm Davis that seems out of his element. The album is coming in at 18 songs and two skits (although "Pauly From The Block" is freaking hilarious and I can't help but to wonder if its some kind of spin on the "Paul Rosenberg and Eminem" skits found on all of Em's albums) but it seems that Storm is attempting to find his place and his comfort zone. In doing so, he tries a little bit of everything, with topics, beats and flows. While it keeps the album from being stale, it takes away from some of the cohesiveness of the album and exposes some of Storm's weaknesses.

For a first time attempt, "Kegstand Poetry For The Recovering Alcoholic" is a great rookie debut from Storm Davis. As long as he learns from what worked and what didn't, Storm should grow as an artist and find a niche in the game that could garner him a little fame, some hot women throwing themselves at his feet and enough payola for some top shelf liqour.

Ranking: 3.75 panties out of 5 panties
WYDU meets Bust The Facts coming tomorrow......


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