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Showing posts with label Little Vic. Show all posts
Showing posts with label Little Vic. Show all posts

7/09/2008

The Half-Way Report of 2008: 10 EP's You MUST Hear


Can you believe that we are half way through the year 2008? Seems like just yesterday I was cussing under my breath as I was diggin' off the drive way for the third day in the row after a big snow storm. Now I'm sweating my ass off in 100 degree weather. Go figure. What do you all think about 2008 so far musically? Personally myself, I thought we got off to somewhat of a slow start, but it has picked up nicely since our 1st quarter report that dropped back in April. Nothing that has totally amazed me like "Below The Heavens" did last year, but still some damn solid offerings that have been served up warm dish style.

If you know me and have read this blog for any amount of time, you know I'm always looking for a reason to put up a list of some sort. I have some sort of list fetish, so a half way report is as good of any reason to do a list as any. The next few days, we'll be going over my favorite songs, mixtapes, instrumental releases, and albums. Notice I said MY favorite, not what I think was the best,although, I'll always say my opinions are among the best of the batch, because my tastes are so impeccable...ease up, I'm just kidding, plus I've been looking for a reason to use the word "impeccable" for awhile now.

Today we'll cover 10 EP's that I think people should hear. A top 10 list of sorts. You are probably saying to yourself right now, "EPs? What the hell is this cracker smoking now?" Well, in this age of shortened attention spans and the heavy promotion of music on the internet, EP's have really taken off this year so far. In compliling my list of EPs worthy of consideration, I had 19 projects that I felt were good enough to be included on this list. One, Joe Beats & Blak's "Strategy", I would later find out was dropped in 2007, which is unfortunate, because it was dwindled down into the top 10 list, until I found out it was released over a year ago. I still recommend tracking it down, especially if you are a Joe Beats fan. A lot of this EP's were free releases, so I'll be including links for them as well. There is enough dope listening to keep you guys going for a day or two.

10 MUST HEAR EPs: The Top 10 EPs of Jan-July 08

10. Baje One - Weightless

Sounds Like: Those Junk Science cats, minus one dude....oh, and maybe Iller Than Theirs, Cool Calm Pete....but not your typical Def Jux music.

Summary: Junk Science is a group I've pushed on this site before. They bring a different sound and vibe to the game. They are not the most lyrical, nor the hottest beats, but the whole package is something that I've been able to relate to. This is EP, Weightless, is from Junk Science's Baje One, the MC, for those of you not on the up and up. It's a short little six track EP, that serves as Baje One's vehicle for his own music without having to check in with a group member. This is some grown folks music, and the track, Mission Statment, has my favorite verse of the year.

From the start, from the jump, from the get go grabbed the micphone, swore I'd never let go when I was sixteen, woulda gotten a tattoo like, this is not a stage, not just going to pass through In the middle of the rottenest apple Kings of hip hop sat on top of the castle dayum, I was barely a rapper then came with good intentions on the train with a pad and pen and that kid, I don't know where he went to and truth, I can't remember half the shit he went through I see the pictures and all that I think is its not me I ran from that person, buck naked and scott free (?) He and I, we don't share the same vision the same spectrum, the same prism He was black and white friction and non fiction I understand now life is contradiction Like life is wonderful, but life will punish you life is beautiful, sometimes there is funerals......

And it goes on. It's not necessarily the lyrics themselves, but the meaning behind them. The love/hate relationship with hip hop and life in general. The lyrics have been my "soundtrack" for the year. "Mission Statement" is easily one of my favorite tracks of the year. The rest of the album is very good as well, worth checking out.

Favorite Tracks: "Mission Statement", "I (No) O U"

Myspace: http://www.myspace.com/bajeone

9. Solo X aka Solo For Dolo - Black September EP

Sounds Like: A Rhymesayers MC met up with a female version of Chino XL and had children, the offspring would be SoloX.

Summary: Every so often, listening to something you see posted on a forum pays off. I found SoloX's, Black September, on the Philaflava forum (which really does have some talented musicians on it) and felt they were five strong tracks found on the EP. SoloX is a hungry MC, and you can tell by the way he attacks to tracks on this EP. Most of it is just him flexing his lyrical skills, but the beats are also quality as well. Nice first impression, the kid is on my radar for the future.

Favorite Tracks: "Just To Let You Know", "Black September"

Myspace: http://www.myspace.com/solofordolo

8. Pillowtalk Politiks - Pillowtalk Politiks

Sounds Like: A midwestern version of a poorman's Tribe. Not saying Pillowtalk Politiks are like Tribe, but they got that same vibe, mellow, smooth, jazzy shit.

Summary: I'd rank Pillowtalks Politiks self titled EP right up there of favorite things I had sent to me this year. This Minneapolis crew sent me this unmixed version of their EP back in January, and it's held on to get played every other week or so still. The beats are laid back, on the mellow tip, it's a great EP to sit back and relax to. I'm waiting to hear more from this crew in the upcoming future.

Favorite Tracks: "Ezer Is Never Was", "Not Preaching".

Myspace: http://www.myspace.com/pillowtalkpolitiks


7. Blueprint - Blueprint Vs. Funkadelic

Sounds Like: The Funkadelic Monster puked all over Blueprint's studio...don't worry, it's a better thing than it sounds.

Summary: Weightless Records is kind of like QN5 for me, they always provide dope releases nine times out of ten. Blueprint has always been pretty dope, whether he does his own solo thing, or he was rhyming over RJD2 beats, 'Print is one of the better MC's out there that probably doesn't get his just due. I'm a BIG fan of funk production, like the old Redman, Keith Murray, and Erick Sermon albums from back in the day. Blueprint's Blueprint Vs. Funkadelic is like those, but on GHB, Anabolic Steriods and heroin. It's supercharged, but it's funkin' dope. Sorry pun on words, but for free, you can't go wrong with this release.

Best Songs: "The Day To Day", "Don't Make Me Laugh"

myspace: http://www.myspace.com/blueprint


6. Little Vic - Each Dawn I Die (no Link)

The Exorcist (Prod By DJ Premier)
The Evil That Men Do (Produced By Buckwild)
Caked Up feat Kool G Rap

Sounds Like: Vic sounds like someone that would have been in the Mobb Deep crew about 10 years ago. He comes with the classic, raw NYC sound.

Summary: I wouldn't have called "Each Dawn I Die" an EP if Little Vic himself said in an interview with WYDU earlier this year that he calls it an EP....or an shortened LP? We'll save face, and since three of the tracks were already released, we'll call it an EP, and a damn good one at that. I slept on this initially, until I had to interview him. After that, I listened to this EP/Shortened LP quite often for the next couple months. Dude stepped his game up and I look forward to more from this NYC MC, New York hip hop isn't dead yet.

Best Songs: "Sister Morphine", "The Exorcist"

Myspace: http://www.myspace.com/littlevicc

5. Atmophere - Sad Clown Bad Spring 12

Sounds Like: Sounds like Slug & Ant

Summary: Bring your hate, I could care less. Slug and Ant drop their fourth of four EP's, spanning the four seasons. I would give my nod for the best with Sad Clown, Bad Summer, but Bad Spring might be my second favorite of the batch. The beat for the lead off track, "Less One", is more than just a bit ill and would have sounded great on ....Paint That Shit Gold. The EP sounds a lot more like some of the material found on that full length release, the same sound, the same mood and the same style. A nice companion EP.

Best Songs: "Less One", "Carry Me Home".

Myspace:
http://www.myspace.com/atmosphere

4. Analogic & Rashid Hadee - Serenade For The Moment (sorry, no link)

Sounds Like: Rashid Hadee sounds like....I can't really compare him to anyone. Not that he is truly original, but he does have his own sound. Analogic sounds like a cross between M-Phazes and Khrysis of JL and another New Jers producer, K-Def .

Summary: I've long been aware of Rashid Hadee from his appearances with his group, Chapter 13 and his Neblina Records releases. His not the most lyrical MC, but he is a entertaining MC, one that can hold my ADD attention span fairly well for an MC. This pairing was a great idea, as these are some of the best beats I've heard Hadee over. Analogic is a newer producer on the scene. In the vein of soul producers, but he has grown beyond that in my opinion. A very talented producer and one to keep your eye on in the future. Serenade For The Moment contains seven dope tracks, that will appease hip hop fans.

Favorite Tracks: "Explode", "Serenade For The Moment".

Myspace: http://www.myspace.com/rashidhadee
http://www.myspace.com/analogic

3. Has-Lo & Small Professor - Fuck Has Day: Remixed But Still Fucked

Sounds Like:
Has-Lo sounds like Elmer Fudd on the mic and Small Professor's beats sound like Howler Monkeys trapped in a garbage can being beat with a baseball bat...otherwise, download it and find out for yourselves.

Summary: What do you get when you combine WYDU's favorite "new artist" with our favorite "new producer"? You get Remixed But Still Fucked. Small Professor first made noise last year with winning our "Best Free Album" of the year award with his version of Jay-Z's American Gangster, better known as Crooklyn Gangster. I wrote all about the original and the remixed version earlier in the year, so I won't rehash it. I will say that I look forward to hearing a lot more from both of these artists, and hopefully this won't be their only co-effort together. Something tells me it won't be. Something tells me this won't be the last we see from either artists on these lists this week as well.

Favorite Tracks: "Hands", "Molotov Cocktails"

Myspace: Has-Lo - http://www.myspace.com/loreso,
Small Professor: http://www.myspace.com/smallprofessor

2. Kooley High - Summer Sessions EP (Sorry, no Link)

Sounds Like: They got that North Kakalak sound.....(See Interview Coming Tomorrow)

Summary: One of the guys, or associates of Kooley High (I'm still not sure which one or who...haha) sent me this EP back in February or so. It's still getting play four months later. That should say something about the quality of this EP. If you are into the Justus League sound and the overall sound coming out from North Carolina, then you should be checking out this EP. Consisting of six members, including a female MC, Kooley High should be the next thing to come out of North Carolina when they drop their full length later this year. Y'all been warned.

Favorite Tracks: "There You Go", "Water"

Myspace: http://www.myspace.com/kooleyhigh

1. Has-Lo - Fuck Has Day

Sounds Like: A dash of Wu-Tang, a smidgen of Prodigy (pre-50 Days), with a sprinkle of all raw east coast MC's.

Summary: There is no favoritism going on here. Yes, Has does some work at WYDU, but I've been trumpeting the greatness of the his Fuck Has Day EP before that ever came down. This EP brings quality raw hip hop to the table. Has' slow, drawn on rhyme style fits well over his somewhat sparse, yet complex beats. It's proof that you can hip hop can sound both old school, with a new school spin on the sound. Has' rhymes encompass everything from humor of "Fuck Has Day", to an ill concept on "Hands", in which his hands take over. He even touches on lost love on, "All's Fair", for all the grown folks that have been through that same shit. It's an excellent EP and I'll keep telling everyone that hasn't heard yet to get off their ass and give this a listen.

Favorite Tracks: "The Usual Way", "Prelude"

Myspace: http://www.myspace.com/loreso

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5/19/2008

Little Vic Interview

I'll admit, beside his "The Exorcist", I didn't know much about Little Vic before his new album "Each Dawn I Die" dropped this spring. After releasing "The Exorcist" in 2005, he kind of disappeared for a bit. When the album dropped, even though some of my fellow bloggers were praising it, I kind of slept on it. When I was getting ready for this interview, I started giving the album it's proper attention and realized it was pretty damn good album. WYDU had a chance to speak to the Little Vic and this is what became of it......

The Exorcist (Prod By DJ Premier)

The Evil That Men Do (Produced By Buckwild)

Caked Up feat Kool G Rap

WYDU: Hey man, thanks for taking the time to speak with us. Could you give
the readers a little bit on who you are and your background?

Little Vic: I am a rapper/producer from Long Island inspired by all genres of music. My parents listened to everything from Mahalia Jackson to the Gipsy Kings so my home was always a musical environment. Got my MPC3000 when I was 15, and thats when it all began.

W: Coming out of New York, Long Island to be exact, what were some of
your early memories of hip hop and when did you strike you that you
wanted to be involved in some way?

LV: I listened to everything. Naturally EPMD & Keith Murray who are Long Island natives were inspiration, but I listened for beats back then as much as I checked for lyrics. So I had a Group Home "Suspended in Time", then a Nine "Fo'eva Blunted", then an Artifacts "Wrong side of the tracks", M.O.P. "Downtown Swinga '94" all on one tape...As a matter of fact I gotta burn that Cd now.

W: The first time I heard of you was on the Primo produced "The
Exorcist", which was released in 2005, I'm assuming that was your
first big "break". How did you hook up with Primo and how was it
working with him?

LV: I hooked up with Primo through my partner King a.k.a. Lunatic Mind. He knew someone who knew Primo's manager Gary and so forth. Working at the Old D&D is like nothing else. You know that your in the same booth as endless legends, and suddenly you feel like one. I'm gonna make sure I go back to prim, he will always have something to knock your head off your shoulders.

W: The song actually has a fairly positive message for what sonically
sounds like a dark track and the title might suggest, what was your
inspiration when writing the track?

LV: I was going through some tough times...the reason being, I was young and I didn't know if this is what I wanted to offer all my time to. When we came up with the budget money, and got Primo...that all changed. It was real. It was like, "Here's your chance, take it." I got a lot better since then, so our next collab is going to be retarded.

W: How do you write your lyrics, do you have a concept then pick a beat,
or do you hear a beat then come up with the lyrics?

LV: Sometimes I write on the spot to something Im working on off the MPC. Sometimes I'll check through the safari of instrumentals I have from the crew & foreign producers that I work with. My favorite thing to do is write it on the spot though.

W: After that track was released, I know I was waitin' to check more
material from but it seemed like there was a chunk of time between the
single dropping and the album, which in some ways kind of caught some
of us by surprise? How difficult was it to build the momentum up
again?

LV: Very difficult. It wasn't the recording, producing, or writing that held me back. It was managerial shit, living situations, & all the nonsense that comes with the territory. That will never happen again.

W: Let's discuss the album, 11 tracks of straight up quality hip hop. It
was refreshing to see an album that might contain less tracks instead
of a bunch of filler, was this done on purpose?

LV: Well, at Orena Records we call it an EP. The only reason is because I released Caked Up, Exorcist, and The Evil that men do previously. The eight other tracks were all recorded at my house, and I could have easily had a 21 track album or more. Is it an expanded EP, or a Shortened LP? Who knows. It was done on purpose to an extent.

W: You also have another legend producing a track for you in Buckwild on
the track "The Evil That Men Do", how did that come about?

LV: Big KO introduced me to Buckwild at his old studio in the Bronx. He played a couple incredible tracks, and the rest is history. Bucks another guy im gonna always reach out to. The reason beats SUCK today, is because people overlook superior production to have a weightless name attached to their record. Buck will make sure the tracks he touches are dope.

W: It seems some of the other producers are a little more on the unknown
side, who are some of the other producers you have on the album?

LV: Double Shot executive produced it. Double Shot is Me, John John, and Joey Fuckin P. We did "Dying Slowly","This is What it Sounds Like", "Love Hurts", and "Carry The Weight". Big Ko produced "Caked Up", and made the Kool G Rap feature happen. Velotz produced "It's My Turn", and "After All I've Done for you". Lunatic Mind produced the title track "Each Dawn I Die". Last but not least, Sly Vest comes with the banger "Sister Morphine".

W: It seems like people are more comfortable going with relatively
unknown producers more so than in the past, at least on the
underground level. Your album is a testament to that fact as well as
some of the "unknowns" can make just as nice beats as some of the
"well known" producers. Listening to tracks such as "This Is What It
Sounds Like", I was amazed at some of the production. Was this
something you did intentionally? Meaning did you want to go with some
of the lesser knowns knowing this and how do you feel about it?

LV: Yes. It wasn't the idea of using unknown producers though. I used my team. If my team consisted of well known producers, I still would have used them. All the unknowns on there are my boys for years, and all have become dope producers.

W: Another special guest you have is the legend Kool G Rap, how did that
come about and how was it working with him? I would think it would be
almost awe inspiring....

LV: Big KO made it happen. He sent me the beat with the scratches already on it. After I heard the beat in the whip, It needed to be done, and it needed G Rap on it. G rap is the Godfather of rap, hands down.

W: The album comes out on Orena Records, which is your own label,
correct? How is it being an artist and be running your own label?

LV: Ive had situations in the past where I wasn't involved in any of the business, and got screwed. Thank god for my partner Michelle. She handles all my day to day shit as an artist, and for the label when I am held up in the Lab. Which is often.

W: If I recall right, you had your label going since at least 2005, when
you released "The Exorcist" on it, how did you come about owning and
running your own label?

LV: Once I had all the studio equipment I needed to release albums, it all kind of fell into place. Joey P and I kind of solidified Orena Records last year by making the studio more of a working environment than a place to practice your hobby.

W: Do you plan on releasing other artists?

LV: Absolutely.

W: A lot of people are complaining about the "drought" currently
occurring in the New York hip hop scene, what are your feelings about
that and how do you think you can change that.

LV: You cannot change it. You can only make sure that you don't fall into the same bullshit trap. If your a new artist, don't emulate anyone. It is good to take bits and peices from a technique point of view, but following what is hot on the radio is WACK. So if you do that, shoot yourself.

W: What is in the future for Little Vic?

LV: I have a project coming out with Critical Madness which is going to be dope. We already have half the album done. The Crew is called Hidden Agenda, so look out for that. My second project will be done before the summer is over, and will not disappoint. Look out for brolick production.

W: Any parting words?

LV: Stay Close to your Family, and God Bless.

W: Thanks, and best of luck!

Little Vic MySpace
Orena Records


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